| CONTENTS OF CORE MODULES & PRESCRIBED ELECTIVES |
EDUCATION STUDIES - Please click here
CURRICULUM STUDIES
The Teaching of Art
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DCA130 | Visual Representation & Expression I: Issues in two-dimensional praxis |
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| DCA131 | Visual Representation & Expression II: Issues in three-dimensional praxis |
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3 |
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| DCA132 | Art Theory in Action I |
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2 |
- |
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| DCA133 | Visual Representation & Expression III: Issues in new media praxis |
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3 |
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DCA230 | Visual Representation & Expression IV: Issues in new media praxis |
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| DCA231 | Visual Representation & Expression V: Issues in two-dimensional praxis |
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3 |
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| DCA232 | Visual Representation & Expression VI:: Issues in three-dimensional praxis |
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3 |
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| DCA233 | Art Theory in Action II |
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2 |
DCA132 |
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| DCA234 | Visual Arts Research Project |
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| DCA130 | Visual Representation & Expression I: Issues in two-dimensional praxis | |
Introduction to the concept and practice of representation and expression. Student teachers will consider the use of two-dimensional expressive and representational media and its role in the formation of symbolic systems. Using a combination of studio-practice and theory, student teachers will develop their own competence in two-dimensional representation and expressive processes. Additionally, links will be made to the role played by representational and expressive thought in children’s intellectual and emotional development. Links with classroom practice will be made. Student teachers will also explore innovative methods of documenting the range of investigative and research-oriented activities undertaken in this module.
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| DCA131 | Visual Representation & Expression II: Issues in three-dimensional praxis | |
The concept and practice of representation and expression will continue to be investigated. Student teachers will consider the use of three-dimensional expressive and representational media and its role in the formation of symbolic systems. Using a combination of studio-practice and theory, student teachers will develop their own competence in three-dimensional representation and expressive processes. They will be encouraged to undertake projects in which they will develop an understanding of the relationships which link Sculpture and Ceramics. Links will be made to the role played by representational and expressive thought in children’s intellectual and emotional development. Links with classroom practice will be made.
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| DCA132 | Art Theory in Action I | |
Student teachers will consolidate previous knowledge of art theory and critical studies as they relate to their own art practices.
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| DCA133 | Visual Representation & Expression III: Issues in new media praxis | |
The concept and practice of representation and expression will continue to be investigated. Student teachers will consider the use of the role of digital and interactive technologies in expressive and representational media and their role in the formation of symbolic systems. Using a combination of studio-practice and theory, student teachers will use new media technologies to develop their own competence in representation and expressive processes. Links with classroom practice will be made.
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| DCA230 | Visual Representation & Expression IV: Issues in new media praxis | |
Student teachers will have the opportunity to build on their knowledge of concepts of representation and expression. They will further consider the use of digital and interactive technologies in relation to expressive and representational media and their role in the formation of symbolic systems. Using a combination of studio-practice and theory, student teachers will continue investigate the use of new media and digital technologies to formulate, develop and sustain a self-generated inquiry. Student teachers will acquire working methods, research skills and knowledge necessary for the successful implementation of concepts. They will continue to develop a critical awareness of contemporary and historical art issues relevant to the new technologies and their application in the teaching environment.
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| DCA231 | Visual Representation & Expression V: Issues in two-dimensional praxis | |
Student teachers will further their investigations into the concept of representation and expression and their role in the formation of symbolic systems. Student teachers will be encouraged to generate interdisciplinary links between an area of two-dimensional studio practice (drawing, painting or printmaking) and an aspect of either three dimensional studio practices or interactive, digital and new media studio practice. Student teachers will be expected to acquire working methods, research skills and knowledge necessary to successfully carry out concepts. They will continue to develop a critical awareness of contemporary and historical art issues and their application in the teaching environment. Student teachers will also explore innovative methods of documenting the range of investigative and research-oriented activities undertaken in this modules.
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| DCA232 | Visual Representation & Expression VI:: Issues in three-dimensional praxis | |
Student teachers will have the opportunity to elect to work in either sculpture or ceramics. Through an in-depth investigation they will continue to extend their understanding of concepts of representation and expression and their role in the formation of symbolic systems. In consultation with lecturers, student teachers will produce a body of work through which they will acquire working methods, research skills and knowledge necessary to successfully realize the full scope of their project. They will also continue to develop a critical awareness of contemporary and historical art issues and their application in the teaching environment. Links with class room practice will be made.
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| DCA233 | Art Theory in Action II | |
This module asks student teachers to consider and plan a form of presentation, show, display, or exhibition of artworks Discussion will focus on exhibits in Singapore as they relate to the international art scene.
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| DCA234 | Visual Arts Research Project | |
Student teacher plans and undertakes a research project related to art teaching in the secondary school. The project should be guided and illuminated by reference to appropriate theoretical frameworks. This module helps student teachers understand research methods in art education within the secondary school context.
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The Teaching of Music
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General Musicianship I |
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3 |
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General Musicianship II |
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3 |
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Secondary School Music |
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3 |
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Choir I |
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2 |
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Band I |
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2 |
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Conducting |
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2 |
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General Musicianship III |
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3 |
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Choir II |
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Educational Perspectives in Music |
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3 |
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| DCI233 | Band II | Core | 2 | - |
| DCI130 | General Musicianship I | |
This module seeks to establish a foundation in musicianship skills (aural-training, sight-singing, keyboard skills, functional music theory and analysis) for the music classroom via the activities of creating, performing and responding. This module is to help students develop essential functional musical concepts and skills that are required as a classroom music teacher with a view to cultivating performance and listening skills.
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| DCI131 | General Musicianship II | |
This module seeks to apply these skills (aural-training, sight-singing, keyboard skills, functional music theory and analysis) to music teaching and learning for the classroom. This module is designed to prepare student teachers to formulate instructional goals and organize teaching strategies, and to utilize a variety of techniques and materials for the secondary classroom.
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| DCI132 | Secondary School Music | |
This module involves a thorough survey and discussion of the Secondary School Music Syllabus in relation to practices and policies outlined by the Ministry of Education. It aims to familiarize student teachers with the requirements and guidelines defined by MOE’s current Secondary Music Syllabus, to enable them to develop a congruent, comprehensive, developmental programme of music education in secondary schools. The teaching of music in the secondary school with particular reference to the syllabus as it is in operation in Singapore schools.
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| DCI133 | Choir I | |
This module enables the development of educational practices in the classroom by an immersion in practical musical skills through participation in vocal and choral activities. This is a practical-based module.
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| DCI134 | Band I | |
This module enables the development of educational practices in the classroom by an immersion in practical musical skills through participation in activities for the symphonic band. These skills are seen as a knowledge base for developing other skills in performing and ensemble directing. Also developed are knowledge and skills necessary for conducting an ensemble in the secondary music classroom and school-based ensembles. This practical-based module includes a study of rehearsal procedures and performance practice.
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| DCI135 | Conducting | |
The development of knowledge and skills necessary for conducting band, choir or orchestra or any instrumental ensemble. Involves the study of rehearsal procedures and performance practice.
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| DCI230 | General Musicianship III | |
This module seeks to further reinforce and sharpen students’ aural perception, sight singing and keyboard skills and analytical understanding to fulfil the task of a music specialist in teaching and learning for both classroom and co-curricular music settings, managing classroom music activities and development of a secondary music programme.
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| DCI231 | Choir II | |
This module builds on the initial development, in Choir I, of educational practices in the classroom by an immersion in practical musical skills through participation in vocal and choral activities. This is a practical-based module.
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| DCI232 | Educational Perspectives in Music | |
This module explores current thinking in the area of music education theory through practical and creative activities appropriate for music making in the secondary school classroom. This module also examines the impact of diverse musical traditions around the world including popular culture and jazz on educational theory and practice.
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| DCI233 | Band II | |
This module is a further development, in Band I, of educational practices in the classroom by an immersion in practical musical skills through participation in activities for the symphonic band. These skills are seen as a knowledge base for developing other skills in performing and ensemble directing. Also developed is knowledge and skills necessary for conducting an ensemble in the secondary music classroom and school-based ensembles. This practical-based module includes a study of rehearsal procedures and performance practice.
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SUBJECT KNOWLEDGE
Art
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Title
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Understanding Visual Literacy |
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3 |
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Concepts and Practices in Art Education |
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3 |
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| DSA132 | The Development of Adolescent Art and its Implications for Teaching | Core | 3 | ||
| 2 | DSA230 | Visual Arts Education in Museums and Galleries | Core | 3 | |
| DSA231 | Contemporary South East Asian Art | Core | 3 |
| DSA130 | Understanding Visual Literacy | |
Visual Literacy refers to the capacity to read and interpret visual images. In contemporary culture, the visual image is being increasingly used as a vehicle through which information is relayed. From bill-boards to DVDs, from computer games to MTV clips, from television to internet, information is being communicated visually. It is essential that we develop the capacity to understand that visual images do more than merely decorate. Visual images need to be read with the rigor and attention that was once reserved for the printed word. This module will offer an introduction to the study and interpretation of visual culture through a range of theoretical perspectives that seek to explain how visual images generate meaning.
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| DSA131 | Concepts and Practices in Art Education | |
The course will look into how the teaching of art has evolved over history. Issues that arise from the various education philosophies and theories and their curriculum implications will be discussed. The course will also examine how government policies and initiatives in the arts influence the teaching of art in primary schools. Student teachers will -
discuss the current trends in art education
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| DSA132 | The Development of Adolescent Art & its Implications for Teaching | |
Considers the development of adolescents' use of visual media. Student teachers will be helped to understand that when young children and adolescents use and organize visual media, they form important understandings about representation, symbols and signs which will prove crucial to their cognitive development. The educational implications will be considered. Student teachers will -
understand key developmental and cognitive theories that underpin artistic
development in adolescents
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| DSA230 | Visual Arts Education in Museums and Galleries | |
This module will explore the educational role of museums and galleries and its relationship to art education. The primary aim is to help trainee-teachers conceptualise and develop innovative gallery-based resources for different levels of schooling. Fieldtrips will be conducted to the various local museums and galleries.
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| DSA231 | Contemporary South East Asian Art | |
This module is the first of two modules that looks at the development of art in Singapore and in Southeast Asia. The interest here is in prospecting the contemporary in historical terms. This module focuses on ways by which the contemporary and the region are diversely seen, read, desired, claimed and discussed. The approach entails studies of art practices, productions and critical texts. The module will be conducted through lectures, tutorial discussions and assignment projects.
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Music
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DSI130 | World Music in Education |
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3 |
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2 |
DSI230 | Creativity in the Classroom |
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3 | - |
| DSI231 | Music in Media |
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3 | - | |
| DSI232 | Musics of Popular Culture in Education | Core | 3 | - | |
| DSI233 | Western Art Music in Education | Core | 3 | - |
| DSI130 | World Music in Education | |
This module also examines the role that musics from other parts of the world may play in developing pupils understanding of the rich diversity of world music and the central role of music in many societies. The diversity of world musics introduces studies of local musics in the Singaporean context with a view to developing curriculum and context for their place in the music classroom and the ways in which National Education messages are communicated. The emphasis throughout this module is on active participation through creating, performing and listening.
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| DSI230 | Creativity in the Classroom | |
Students are encouraged to explore and develop a personal idiom in composing; to understand ways in which the process of composing and improvising in the school classroom may be used as an important means of developing musical understanding, and a way in which pupils may find a way to express themselves musically.
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| DSI231 | Music in Media | |
This module involves an introduction to understanding artistic and other processes in performance productions that employ multiple media. This module draws on film musicals and contemporary MTV productions as examples of music in media and looks at how Multi-media art in the form of film musicals and contemporary MTVs can be used for the teaching of music in the secondary classroom. This module looks at the ways in which music, visual arts, drama, dance and literature interact and may be understood in the broader contexts of politics, culture, sociology, philosophy, ethics, geography and history.
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| DSI232 | Musics of Popular Culture in Education | |
This module introduces the study of music of popular culture, including jazz, with a view to developing curriculum and context for their place in the music classroom. Emphasis is placed on the role that music of popular culture plays in developing pupils understanding of the rich diversity as well as its central role of music in many societies. The emphasis throughout is on active participation through creating, performing and listening.
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| DSI233 | Western Art Music in Education | |
This module involves a study of music of the western classical tradition with a view to developing curriculum and context for their place in the music classroom. Emphasis is placed on the role that western art music in developing pupils understanding of its place in society and includes issues of aesthetics. The emphasis throughout is on active participation through creating, performing and listening.
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PRACTICUM
| Teaching Assistantship (TA) |
3 |
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| Teaching Practice (TP) | 12 |
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Practicum is a very important component of the diploma programme. Its
principal function is to provide student teachers with the opportunity to
develop teaching competencies in a variety of instructional contexts and
at different levels, under the guidance and supervision of cooperating
teachers and university lecturers. They will learn from experienced
cooperating teachers about the schooling process and prepare themselves
for their roles and responsibilities in teaching.
During the Practicum, student teachers will be able to use the knowledge and skills acquired in the subjects they read at the university, and have opportunities to integrate theory and practice in schools. The Practicum is spread throughout the entire course of study and is developmental in nature. It comprises two school attachment periods, i.e., Teaching Assistantship (TA), Teaching Practice (TP). DPR130 Teaching Assistantship At the end of the first year, the student teachers will undergo a 5-week TA. Its purpose is to provide student teachers practical experience in helping their Cooperating Teachers (CTs) plan lessons, prepare resources, manage pupils. They will also be given opportunities to observe their CTs teach and to do some guided teaching. DPR230 Teaching Practice TP is the last component of the Practicum. It is 10 weeks long – this duration will provide time for student teachers to have a more holistic school attachment experience which would include exploring other aspects of a teacher’s life besides classroom teaching, for e.g., observing how CCAs are managed. |
LANGUAGE ENHANCEMENT AND ACADEMIC DISCOURSE SKILLS
| DLK130 | Communication Skills for Teachers | 2 | |||
| 2 | DLK230 | English for Academic and Professional Purposes | Core | 2 | - |
| DLK130 | Communication Skills for Teachers | |
This is a practical course designed to provide the student teachers with oral and written skills necessary for effective communication as student teachers in the classroom and in their professional interaction with colleagues, parents and the general public. It includes practice tasks to improve speaking skills as well as exercises and group work practice in thinking processes and communication strategies in the context of text types. Student teachers will be given practical instruction on vocal health care and vocal quality. The practice of good voice production will be embedded in the activities of every session.
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| DLK230 | English for Academic and Professional Purposes | |
English for Academic and Professional Purposes is designed to develop student teachers’ language and communicative competence towards two desired outcomes. The first is to equip student teachers with the thinking and language skills needed to produce acceptable texts in course-related writing tasks during training. The second is to guide them towards audience-aware and culture-sensitive strategies of communication with colleagues, parents, and other persons that teachers interact with in the course of their work. The course materials targeting these two outcomes will include a grammar component to enable student teachers to appreciate the relation between grammar form and message communicated.
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