Prior to joining NIE, Marcus was a lecturer at Queen's University Belfast where he taught various courses on Asian Theatre, Virtual Performativities and Intercultural Theatre. Marcus also formerly taught at Dunman High School and Temasek Junior College where he was Deputy Head of the English Department, and was responsible for designing and instituting the Language Arts curriculum for TJC’s integrated programme.
A Public Service Commission scholar, Marcus completed his BA(Hons) at the National University of Singapore; this was followed by an accelerated Master of Arts degree that was funded by a research scholarship awarded by the National University of Singapore. After completing his teaching bond, Marcus pursued his doctoral degree at Trinity College Dublin with the assistance of a research studentship awarded by the university.
Marcus's research interests include intercultural theatre, multiculturalism and social performativity, acoustic and sound studies as they relate to theatre and performance, postcolonialism, digital performance, performativity in virtual environments, as well as critical theory and performance philosophy. In these areas, Marcus has published in top-tier journals including the Contemporary Theatre Review, Theatre Research International and The Drama Review. One of these articles was awarded the top prize for the Theatre and Performance Research Association Postgraduate essay competition in 2010; another came in second in Trinity College Dublin’s Journal of Postgraduate Research essay competition; a third was selected to be among the top twenty international submissions in the International Federation for Theatre Research’s New Scholars Prize (2009). His monograph, Acoustic Interculturalism: Listening to Performance, was published by Palgrave Macmillan in 2012 as part of the award-winning series, 'Studies in International Performance'.
In addition to being a member of the Asian Shakespeare Association, Marcus is an active member of the International Federation for Theatre Research where he is also the convenor of the Music Theatre Working Group.